The exhibition, mounted in conjunction with Simon|Garvey, New York, includes 15 paintings executed in metalpoint and colored gesso by Susan Schwalb, who has been working in the centuries-old technique since 1973. She began experimenting with silverpoint after encountering the medium unexpectedly via an artist friend and has emerged as one of its foremost masters today.

Historically, the practice of silverpoint, the most common type of metalpoint, dates back to the Middle Ages. Artworks that use this technique are executed with a stylus that creates fine lines when applied to specially coated paper. Once a line is laid down, it cannot be erased or changed. Schwalb uses a variety of metals in her work, including copper, aluminum, gold, platinum, and tin. Working on a prepared surface of paper laid on panel, she draws painstakingly thin lines in different formations.  Schwalb often coats the paper herself, creating a surface which becomes an important part of the work.

Work from three series are included in this exhibition—Harmonizations (2015), Intermezzo (2015–2016), and Polyphony (2013–2016)—each of which derives its title from musical terminology. Schwalb intentionally works in series, drawing inspiration from previous works to create new ones.  For example, Harmonizations is a direct continuation of the spatial and compositional explorations that began in Polyphony, a series focusing on overlapping lines and shapes. Each piece in Harmonizations is both executed on a square picture surface and comprised of 36 individual smaller squares, with a single one left blank. The series explores the idea of the void, or a space intentionally left open and unoccupied. Working in a square format has been paramount to Schwalb’s work since 1997.

About Garvey|Simon, New York

Elizabeth K. Garvey is the co-founder and owner of Garvey|Simon, New York (est. in 2010). Prior to her current role, she was President and Owner of EKG Art Advisory (1999–2009) and Co-Director of Schmidt–Bingham Gallery on 57th Street in New York, where she worked from 1989–1998. Liz runs Garvey|Simon Gallery, a boutique gallery in Chelsea that is focused on drawing, works on paper, unusual materials, and design, while also acting as curator and advisor to select private clients. With over 25 years of experience in the fine art industry in New York, Liz leverages her professional relationships with other galleries, auction houses, private dealers and artists to offer clients a relaxed entry into the often intimidating visage of the New York art world.