Dear Andy: Postcards from Montauk, features the paintings of Brooklyn-based artist Mel Smothers. Smothers adopts the postcard format in his compositions, with each work personally addressed to Andy Warhol. Beginning “Dear Andy…,” and replete with postmarks rendered in paint, each piece incorporates Warholian images in order to establish a posthumous dialogue with the seminal pop artist.

Smothers integrates text into his paintings, following in the tradition of such artists as Vincent van Gogh and Charles Marion Russell, the 19^th century landscape painter of the American West, both of whom  combined drawings and text in their personal correspondence. Smothers juxtaposes word and image to express his connection to Warhol’s work. After Warhol’s estate in Montauk was sold in 2006, Smothers visited the sprawling 5.6-acre oceanfront property on the eastern tip of Long Island to, in his words, “get a feel for the place.” During that time, he was struck by the contrast between the natural environment and Warhol’s mass produced pop art images. In response, he began making postcard-style paintings to “report back” on the things he saw in Montauk.

The compositions feature some of Warhol’s most recognizable images, including portraits of celebrities such as Elizabeth Taylor, Marlon Brando, and Marilyn Monroe, and the unmistakable Campbell’s soup cans. Organic subjects which normally appear in a natural setting, such as jellyfish, bird life, and even inanimate objects that might be found washed up on the beach, dominate the faintly rendered pop art images. The result is a compelling body of work which juxtaposes two disparate subjects: the world of pop culture which Warhol embraced, and Smothers’s observations of the natural world. Thus, a dialogue is established.